Seattle · Proposal

Bob's Doors

Forty-plus salvaged doors, hand-painted by sixty-plus Seattle artists, placed around the city. Tap one with a phone and a story opens — along with the file on the artist who painted it.

Free to play. No app. No account. No ticket.

40+
Doors painted
60+
Artists & musicians
9
Public shows
$0
Cost to play

What it is

Art you find by accident

Most public art asks you to go to it. This goes to you. A painted door on a sidewalk, outside a bar, in a shop window — encountered by someone who wasn't looking for art that day. The story is the hook that makes them stop. Crediting the artist is the point.

The doors

Full-size salvaged doors, each one hand-painted by a different Seattle artist. Weatherproofed, mounted, and sited in public or hosted by a business.

The tag

An RFID/NFC sticker paired with a printed QR code. Tap it, scan it, or type the code by hand. Three ways in, so nobody is locked out by their phone.

The dossier

Every scan opens a story fragment and a profile of the painter, linking straight to their own work. A stranger on a sidewalk can be following that artist a minute later.

The engine

Timeline Protocol

The alternate reality game the doors open into. Built, deployed, and run live at public events since 2026 — not a prototype and not a pitch.

A player scans a door and the story starts unlocking on their phone — no app, no account, nothing to install. Just scan, pick a side, and see how far it goes.

Timeline Protocol

How it plays

Scan a door and the story starts unlocking on your phone, right there on the street. Pick a side early on and it colours what you're shown from then on. We're not spelling out the rest here on purpose — that's what makes it worth playing live at timelineprotocol.com.

Why it's built this way

No app. An install is where 90% of an audience is lost. A tag opens a URL in the browser they already have open.

No account. Nothing to sign up for, nothing collected, nothing to leak. Progress lives on the device.

Three ways to scan. NFC tap, QR camera, or type the code. An older phone, a cracked camera, a bad angle in a dark bar — none of it locks someone out.

Static site, no backend. React and Vite, deployed as flat files. It costs almost nothing to run, survives a venue's terrible wifi, and cannot go down because a database did.

Free, permanently. Public art that costs money to see isn't public art.

What we can measure

Most public art can't tell you whether anyone stopped. Tags can.

  • Scans per door — how many people stopped rather than walked past
  • Dossier opens — how many went on to read about the artist
  • Click-throughs to artists' own pages — attention delivered to the artist, not to us
  • Route completion — how many walked a whole neighbourhood
  • Return scans — who came back

For a host venue, that's a footfall number with a name on it. For a funder, it's evidence instead of adjectives.

Track record

Nine shows in a year

Street festivals, bars, galleries and monthly art walks. Every one of them free or low-barrier, all-ages wherever the venue allowed it, and self-funded.

Sept 10 2026Bob's Doors 4: Subject 89 — Sandbox, Capitol Hill · Capitol Hill Art Walk
Aug 2026The Belltown Blast — Belltown · one-day street takeover, the Saturday after the art walk · doors up and down the street
Aug 2026Bob Loves Doors 3: Failed Flight Plan — Sandbox, Capitol Hill · Capitol Hill Art Walk · the D.B. Cooper chapter
Jul 9 2026Bob Loves Doors 2 — Sandbox, Capitol Hill · second Sandbox show
Jun 11 2026Bob's Doors: The Key — Jellyfish Brewing, Georgetown Carnival · first public launch of Timeline Protocol · The Accused A.D., Hutchie, Distest
May 9 2026A Kraken Time — The Kraken · DTI, Vanished, Hellslaught · live painting by Laura Shaheen and Emily Bromberg
Apr 10 2026The Shorty's Incident — Shorty's, Belltown · Primary Threshold Anchor · Belltown Art Walk
Apr 2 2026Shipwreck'd at The Meyer — Pioneer Square Art Walk · First Thursday
Mar 4 2026Unhinged — The Central Saloon · the first one

Retail & business partners

What a host gets

This dismantles the starving artist myth by plugging into local business infrastructure instead of competing with it. Venues host the art, players chase the story, businesses get foot traffic, artists get paid.

Placement

A business hosts one interactive door, from $250, with $1,000 the standard tier and $5,000 for a three-to-four-door route. The location becomes a marked stop on the player map, and the host is credited on the page every visitor reads while standing in front of the shop.

The house special

The venue picks one item — a drink, a pastry, whatever they want to move — listed only on that door's page. Order it, get a coaster with a bonus easter egg. The story stays free and complete without it. Every dollar stays with the venue.

Art rotation

The doors stay in the collection and move between blocks, so a route stays worth walking twice. Hosting places a work; it doesn't buy one. The artists decide what gets painted and whether a piece is ever for sale.

Sponsors & investors

Phase One

To secure a permanent facility and activate the city-wide network, we're raising a strictly allocated seed round.

Target — $253,840

Physical infrastructure & buildout Facility deposit, lumber, fabrication, salvaged doors
$116,450
Artist stipends & grants Direct commissions via The Catalyst
$58,250
Digital architecture NFC/RFID hardware, hosting, ARG web app
$44,800
Operations & logistics Permitting, installation labour, transport, marketing
$34,340

Proof of concept

Complete. Nine public shows established the audience, tested the hardware in real rooms, and secured the artist coalition.

City-wide expansion

Doors into independent venues, bars and retail across multiple neighbourhoods, building a sprawling walkable map.

The curator vanishes

The narrative accelerates. Bob disappears, and the network of hosted doors becomes an active investigation.

The containment hub

The decentralised network funnels into a central facility for a produced, live infiltration event that closes the loop.

Donate

Support the artists

The Catalyst is a Washington nonprofit collective. Funds go to materials, space, and paying the local artists who make this.

Donate via Zeffy

Catalyst Arts is a Washington nonprofit corporation (EIN 41-4104991, WA UBI 606 041 272). Our application for 501(c)(3) tax-exempt status is pending with the IRS. Donations made now are not yet confirmed as tax-deductible; if our exemption is approved, contributions made during this period are expected to qualify retroactively. Please consult your tax advisor.

Join the network

Investing in the seed round, hosting a door at your venue, painting one, playing a show, or discussing a title sponsorship — all the same inbox.

Contact Nick Saputo